Moose for Breakfast: Nature Writing in Essays and Poetry

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Poetry makes the perfect stocking filler:. May all your poems be award-winning instant classics! Poetry Saltzburg — Poetry — open submit by post or online. Wildness — Poetry, Fiction, Non-Fiction — open submit online. If you have a competition or journal with a deadline in December , and it is not included above, feel free to add the details with a link in the comments section below!

For me, it started with not being very confident and wanting to get a sense of whether the poems were any good — did they stand up to scrutiny?

Hennessy short story of the month: In the trees. In the rain. All around.

I submitted to competitions rather than journals because they are anonymous. Rejection is a big part of the process of writing and the competition route seemed a gentler introduction to disappointment. I was very lucky to bag a win early on — a micro-poetry competition — word for word, my best pay-day to date! That early success encouraged me to keep writing and to keep submitting.

Exemplar Poetry Essay - Comparing Two Poems - GCSE Standard

This is a tricky one. Some competitions are hugely prestigious and attract thousands of entries from around the world. As a rule of thumb, the higher the prize money, the bigger the draw. It means your work will be read alongside — and have to hold its own against — established and extensively published writers. These competitions are highly competitive.

The idea of winning a major prize as a novice writer is seductive but, generally, they go to writers who have been working at their craft for years. Your work will be part of a smaller pool and be read alongside writers with a similar level of experience. I also see a lot of debate online about the cost of submitting to competitions and some journals and how it can be a bar to lower-income poets putting their work forward. Web Hosting, Submittable, Paypal.

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Young, if we may believe him, would despise the action as folly unless it had these motives. Participants also read contemporary works, give a public reading, and attend a reading series. Now, a poem like that, a Haiku or however it would be classified, is more than just a ditty. Fear of consequences is only one form of egoism, which will hardly stand against half a dozen other forms of egoism bearing down upon it. A late afternoon in Govan at the junction of the Clyde and the Kelvin rain falling on sullen stone. And the Whitings are positioned to make the most impact possible.

Many offer discounts for multiple entries or membership. If there is a profit, generally it is being plowed back in to activities and publications that support writers. No-one is buying a yacht and retiring to the Caribbean on the back of a poetry competition! That said, there are always exceptions.

Check out a few comparable competitions to establish the going rate. I know it can seem hard that everyone pays and only a handful benefit, but I like to take a wider view.

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Nobody owes you anything as a writer — not publication, not prestige, nothing. When I trained as an architect, I had to absorb the cost of tools, equipment, wardrobe, membership fees — all the things I needed to present myself as a working architect. Same goes for writing. Paying to enter competitions and submit to journals is just the cost of doing business.

I am a low-income poet. No writer should enter every single poem they write into a competition or enter every competition out there! In one year, I might write poems — only a handful of these will be competition standard. With limited funds and a limited number of suitable poems, I pick my targets carefully. The odds are always against winning but there are better odds on valuable side-benefits. I look for competitions that are democratic, offering the largest number of rewards to the widest group of people. All of this is conditional on the poems being good enough to hold their own in a competition. What things do you consider when deciding whether or not to enter a competition? Please leave a comment below. She is a three-time recipient of literary fellowships from the Wyoming Arts Council, including twice for nature writing, and was a finalist for the Siskiyou Environmental Literature prize. Some of her writing can be found at these links:. Peter Fonken is a poet and biologist whose writing has been inspired by a life of wandering in wild places.

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He has a M. For all camping programs: Lunches, snacks, and tea are the responsibility of each participant.

Writing, Poetry & Creativity | Angela T Carr, Dublin, Ireland

Moose for Breakfast: Nature Writing in Essays and Poetry [Nancy Owens Barnes] on *FREE* shipping on qualifying offers. MOOSE FOR. Editorial Reviews. Review. These poems and essays warm us with their delicate glimmerings.

A truly amazing experience! Participants are also responsible for their own transportation to and from the program location. Geneen Marie Haugen, PhD, grew up a little wild, with a run-amok imagination. She is committed to the world-transforming potential of the human imagination in collaboration with the Earth community. Pete Fonken.

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Peter Fonken's guiding is informed by a lifetime spent wandering wild places while listening to and learning from other than human beings. He feels strongly that nature's wisdom can help us access our intuitive knowing, thereby allowing a reintegration of authentic wildness and a deeper connection with Soul. He is also fascinated with the human psyche and is committed to exploring its nuances. He understands he requires support and he realises that the toad was not all bad.

Both poems continue to represent the toad as something revolting and filthy.

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